Virginia Woolf (1882-1941) pensó que el tiempo que se configura en el espacio de una vida es siempre presente el antes y el después, el pasado y el futuro, vienen y se extienden hacia el infinito, más allá de la vida particular. It ended in a transcendental theory which, with her horror of death, allowed her to believe, or say that she believed (for all her scepticism), that since our apparitions, the part of us which appears, are so momentary compared with the other, the unseen part of us, which spreads wide, the unseen might survive, be recovered somehow attached to this person or that, or even haunting certain places, after death. Un día puede ser tan importante como una vida entera. Odd affinities she had with people she had never spoke to, some women in the street, some man behind a counter - even trees, or barns. So that to know her, or any one, one must seek out the people who completed them even the places. In another part of London, Septimus Warren Smith is.
She waved her hand, going up Shaftesbury Avenue. Clarissa Dalloway, elegant and vivacious, is preparing for a party and remembering those she once loved.
But she said, sitting on the bus going up Shaftesbury Avenue, she felt herself everywhere not 'here, here, here' and she tapped the back of the seat but everywhere. It was unsatisfactory, they agreed, how little one knew people. For how could they know each other? You met every day then not for six months, or years. Her love of party-throwing comes from a desire to bring people together and create happy moments. It was to explain the feeling they had of dissatisfaction not knowing people not being known. Clarissa Dalloway is depicted as a woman who appreciates life. “Clarissa had a theory in those days - they had heaps of theories, always theories, as young people have.
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